Modern composers have often produced their most characteristic orchestral effects with fewer contrasting elements than Bach uses in his Trauer-Ode, in the pastoral symphony in his Christmas Oratorio, in the first chorus of the cantata Liebster Gott, wann werd' ich sterben, and in many other cases; b
cantata הגייה עם משמעויות, מילים נרדפות, הפכים, תרגומים, משפטים ועוד